Reviews Post
Last Step - Last Step reviewed by NME
Apparently any profits from this record will go to St. Bernadetta's Synth Hospital.


If Klaxon's sampler has a drink problem (beer spilled on the motherboard, perhaps) or their favourite synth is missing a crucial knob, this, NME imagines, is where they recover. But the mysterious Canadian behind "Last Step" doesn't need to rely on good deeds to win over NME's affections. Rocking the retro analogue synth sounds of DMX Krew and the pop sensibilities of early Depeche Mode, but given, like Aphex Twin, to schizoid lurches in tempo and sudeen explosions of sonic chaff, ...more

 
Last Step - Last Step reviewed by Boomkat

In the grand tradition of vintage analogue Braindance, Last Step delivers a debut album evoking the spirit of Depeche Mode, Drexciya, Giorgio Moroder, The Human League and Phuture, recorded using nothing but analogue gear (The Roland 303, 606, 707 and Jupiter are among the items listed in the sales notes). Like a more tempered Ceephax Acid crew with an emphasis on instrumental song structures, the album is an unashamedly simplistic, purist affair that works at its best when the ...more

 
Last Step - Last Step reviewed by One week to live


The mysterious Canadian producer known as Last Step drops his debut album. You might have caught his "You're A Nice Girl" EP or even heard his vintage disco-leaning electronica on the Planet Mu "Sacred Symbols Of Mu" compilation but if not, don't worry, pick this up and you'll get the whole EP as part of "Last Step". All the tracks on this album were made using original analogue equipment including the Roland 303, 606 and 707 and I'm guessing that choice has something to do with ...more

 
Last Step - Last Step reviewed by DJ magazine
Mysterious Canadian


Those that caught Last Step's last EP will know what to expect from this debut. A mix of scenic electronic sketches and floor-led smashers that mix up acidic basslines with steely beats and warped melodies, it showcases a producer in thrall to electronic music in all it's glory.
Paul Sullivan ****

 

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